Voice over
Cast the voice that fits the idea, not the other way round.
What we doSix services, one point of contact
Six services, and no order of importance between them. Write the script, translate it, cast it, record it, mix it, manage the talent and handle the booking — take one, or hand over the lot.
Cast the voice that fits the idea, not the other way round.
Record, edit, mix, master. You get broadcast-ready files, not raw takes.
Through-the-line copy written to be spoken aloud, not read off a page.
Your message carried into another language without losing what made it land.
We look after the artists, so the artists can look after your brief.
One point of contact for availability, scheduling and delivery dates.
Formats we record

How a job runs
Send the script, or just the idea. Tell us the audience, the language and the deadline. There's no form to fill in first.
We come back with a shortlist and custom reads of your actual copy, not stock reels, so you can hear your words in each voice.
Direct the session live over a call, or brief us and leave it with us. Pick-ups are inside the original quote.
Mixed, mastered and named to your spec. WAV, MP3, split stems, whatever the edit needs.
A single-voice ad briefed in the morning usually lands the same day. Longer narration and multi-language jobs get quoted on the script.
Yes. We patch you into the booth over a call so you can direct the read line by line, same as being in the room.
We do. Through-the-line copywriting is one of the six services, and copy written to be spoken always beats copy written to be read.
The roster isn't the whole network. Tell us the language and we'll source, cast and direct it.